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Her first major public appearance came in 1963, in her early 20s, in one of the art world’s most famous photographs: Babitz, in the nude, plays chess with the fully clothed Marcel Duchamp.
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Like the movie stars who had fascinated her since childhood, she was a master of entrances.
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“I hadn’t really liked Elizabeth Taylor until she took Debbie Reynolds’ husband away from her, and then I began to love Elizabeth Taylor,” she once wrote. She was often witty, sometimes amazed and sometimes could only shrug.īabitz dished about her sex life ( “I got deflowered on two cans of Rainier Ale when I was 17”), her outreach ( “Dear Joseph Heller,” she once wrote to the “Catch-22” author, “I am a stacked eighteen-year-old blonde on Sunset Boulevard”), her thoughts on marriage ( “My secret ambition has always been to be a spinster”) and her affinity for the wicked. She was likened at times to fellow Californian Joan Didion - although Babitz often found magic where Didion saw ruin - and to the French author-sage-confessor Collette.īabitz knew everyone from Jim Morrison to Steve Martin, but her greatest subject was herself. Her dispatches from the Troubadour night club and the Chateau Marmont, from the Sunset Strip and Venice Beach, became as much a testament of her era as a Jack Nicholson movie or an album by the Eagles or Fleetwood Mac.
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Babitz biographer Lili Anolik confirmed that she died of complications from Huntington’s disease on Friday afternoon, at a Los Angeles hospital.įew writers captured a time and place so vividly as Babitz did.